I wrote this in a July 2007 blog posting. “Hardly a week goes by that I don’t receive an email that goes something like this. ‘I’m trying to buy a copy of Make a Windsor Chair with Michael Dunbar. The only ones I can find are on eBay, and they want $250 for them. You guys got any for sale?’ The implication is that the inquirer wants to buy a copy for the original $19.95 list price. “No, I don’t have any for sale. I wish I had had the foresight to buy a bunch of cases ”back when they were still available from the publisher. However, I still wouldn’t sell them at the list price when they are fetching more than 20 times that elsewhere. Instead, I would hold the books for several more years and then use them to pay for my son’s college. I may be crazy, but I’m not dumb.” Times change. This week I too the first steps in a project that will make that book available again. After more than a decade of being out of print, it is coming back. To top it off, it will be sold at the original price, or an amount very close to it. I expect the new and improved Make a Windsor Chair to be for sale around the first of the year. That’s good news for those of you who have always wanted to own a copy. It’s bad news for the guys selling them on eBay, as the price of old copies is going to plummet. Another of my books Restoring, Tuning, and Using Classic Woodworking Tools is in the pipeline right behind Make a Windsor Chair. I’m expecting that second book to be available in spring 2011. Old tool collectors and users refer to Restoring, Tuning, and Using as the “bible” and I’m sure a lot of people will be happy to have it back. I’ll keep you posted about both projects’ progress in this space. So, keep reading. * * * *
Last year I told you I was working on an article that had my blood pumping. I was excited because the article was a rare accomplishment – it describes a new woodworking topic. It’s not a rehash of a subject that has been written about by a dozen authors through the last three decades. For that reason, the elitist magazine that thinks itself so fine, would never consider it. Heaven forbid they write about something that is imaginative. After all, that’s not safe. That’s why the article is being published by Popular Woodworking. That magazine is gutsy and creative, and they actually invite new ideas. If you are not reading Pop Wood, you are stuck in the mediocre past.
Well, I have read the galleys, meaning the article will be printed very soon. You may remember that I told you this was an area developed by
After beginning with us, aged furniture has entered the mainstream. Visit any country craft store and you will see tons of it. There are factories pumping out cupboards and tables that are distressed. The problem is, most distressed furniture (factory or handmade) looks artificial. The real money sees this artificiality, because collectors spend a lot of their time looking at the real deal. In other words, chairmakers and some furniture makers know how to create wear; they just know how to do it so it looks real.
That is to subject of my article. It is an exploration of how furniture wears. Notice the distinction. It is not an article about how to wear furniture; it is about how furniture wears. It is the knowledge you need to create wear that looks like the real thing. The article is long and will require two issues. However, it is chock full of very important stuff. I hope this information will open new markets and attract new collector customers to lots more period furniture makers. You’re welcome, guys. It’s a present from your
This news is sad. I heard from Tammy Hinckley that her husband and our old friend Thom Hinckley of
When I returned the following year, Thom helped out with my classes. Since then, he has visited me back east a number of times. Although older than I, Thom never failed to pitch in to help, no matter how hard the work I was doing.
Thom was a scholar and a resource. If I needed information, I could always give him a call and he had it at his finger tips. He was also a sounding board. I would read things I had written to him and ask his opinion on problems. Tammy and the kids will miss him terribly. So will I.
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Congratulations to Rick Lasita. He landed a nice article about himself and his chairmaking in the Jackson (TN) Sun. The article was accompanied by tons of great color photos of Rick and his chairs. Take a peek by using this link: http://www.jacksonsun.com/apps/pbcs.dll/article?AID=/201009030520/LIFESTYLE/9030301
I heard from Jill Tatman, Sir Ron Tatman’s wife. Theirs is chairmaking family, as Sir Ron and both his daughters have taken classes here. This is a typical chairmaker story. Like Jill, our spouses have to get used to the odd things we do.
“Hello Mike, Funny story of what happens when you take a wood worker/chair maker on a cruise. We all took the Alaskan cruise this past August and had a wonderful time. Weather was great and sea was like glass for most of the trip. One day it was a little rough and I sat in the deck chair all day reading. I commented that I liked the deck chairs and they were comfortable. Next, Ron had me taking pictures at all different angles and writing down the measurements while he measured the chair and made templates of the different angles. Needless to say there was a crowd watching in wonderment.
“Ron has finished his Phil Lowe Tilt Top Tea Table (he has had the plans for about 10 years). He is presenting it to his chapter meeting of the SAPFM. He also has a settee underway on the work bench. It has been a busy summer and is just starting to slow down. Now that I have completed my Masters and graduated and both girls are in college I can spend time doing the things I want to do without feeling guilty. Say Hello to everyone from Ron and myself hope to see you next year.”